王柏欽 WANG Po-Chin

王柏欽關注新一代的視覺經驗，其中，觀看不再從現實出發，而是透過螢幕生成，並在數位平台中被不斷演算、重組與再現。其作品取材自社群媒體演算法推薦的迷因影像，涵蓋「非日常」的人類行為、場景與物件，並與自身所經歷的真實人物與事件交織重組，形成虛實混雜、視覺扁平卻流動的畫面結構。藝術家透過標記、堆疊、模糊與圖像變形等手法，回應網路影像的瞬間性與片段性。線條與構圖不僅引導觀者觀看，也反映網路影像內容在形式上的一致性與表層化。

(王柏欽的《新系統 Sample 6:How to Cut Milk》入圍第三屆中國信託當代繪畫獎。)

WANG Po-Chin focuses on the visual experience of a new generation-when seeing no longer begins from reality but is generated through screens and continuously calculated, reorganized, and reproduced across digital platforms. The artist draws from meme imagery recommended by social media algorithms, encompassing "non-ordinary" human behaviors, scenes, and objects. These elements intertwine with real individuals and events from the artist 's own experiences, forming pictorial structures where fiction and reality blend, appearing visually flat yet fluid. Through gestures of marking, layering, blurring, and image distortion, he responds to the immediacy and fragmentary nature of online imagery. The lines and compositions not only guide the viewer's gaze but also reflect the formal uniformity and superficiality often found in internet images.

(New System Sample 6:How to Cut Milk by WANG Po-Chin was selected for the 3rd CTBC Contemporary Painting Prize.)

王柏欽｜《新系統 Sample4：往外發散⽣長的光 aim and projection》-1｜2025｜壓克力顏料｜170 × 100 × 3 cm

WANG Po-Chin｜New System Sample4 : Light Expanding Outward - aim and projection -1｜2025｜acrylic paint｜170 × 100 × 3 cm