張宸瑋 CHANG Chen-Wei

張宸瑋試圖從藝術創作中傳遞出：「在演算法驅動的當代，影像正以碎片化且高度密集的態勢重塑觀看慣性。」其作品延續對網路影像邏輯的關注，擷取社群媒體中圍繞身體差異、具強烈視覺衝擊的短影音素材，探究這些影像如何在脫離原生情境後轉化為可被消費的視覺形式。藝術家將數位影像實體化後，更能為其潛在的衝突與不適產生張力。作品本身的質感，企圖讓觀者探索出新穎的感知、體悟，重新思考在當代傳播環境下，自身與影像、乃至與他者之間的關係。

(張宸瑋於 2026 年獲得高雄獎首獎。)

In an age driven by algorithms, CHANG Chen-Wei observes how fragmented, high-density imager y reshapes our habitual ways of seeing. The work draws from social media’s short-form videos―specifically those featuring bodily anomalies―to explore how such content is transformed into visual commodities once stripped of its context. By giving digital images physical form, the artist creates a palpable tension from inherent conflicts. Through this materiality, the audience is encouraged to explore new sensory insights and rethink their connection to images and other s in today ’s communication env ironment.

(CHANG Chen-Wei was awarded the Grand Prize at the Kaohsiung Awards in 2026.)

張宸瑋 |《這隻跟那隻》| 2024 | 輸出針織布、填充物 | 各種尺寸

CHANG Chen-Wei | This One, That One | 2024 | printed knit fabric, stuffing | various dimensions