林世雍 Lin Shih-Yung

林世雍在創作中以隱晦、暗喻的手法，拼湊出家族歷史的碎片與記憶，以懸疑感及叙述性的論述展開，透過香蕉人形象呈現現實又虛幻的人形。2023年，藝術家嘗試了與波希 (Bosch) 的作品對話，將繪畫轉向更隨機的拼貼處理，以更關注群像的方式去傾聽。特別的是，林世雍試著將眾人眾神們形象微型化，音量轉為微聲，以此保持微神們自由姿態互不打擾，也可改變身體觀看作品的距離。

(林世雍於第九屆鴻梅新人獎獲獎。)

LIN Shih-Yung employs subtle and metaphorical approaches to piece together fragments and memories of family history. Through a sense of suspense and a narrative mode of discourse, the "banana figure" emerges as a real yet illusory humanoid form. In 2023, the artist began a dialogue with the works of Hieronymus Bosch, shifting toward a more spontaneous collage-like approach to painting and listering with closer attention to collective figures. Notably, LIN Shih-Yung attempts to miniaturize the images of crowds and deities, lowering their "volume" to a whisper, allowing these tiny gods to maintain their freedom without disturbing one another, while altering the physical distance when contemplating the work.

(LIN Shih-Yung was awarded at the 9th Grand View Emerging Artists Awards.)

林世雍｜《微處之神-2》｜2025｜壓克力顏料、色鉛筆、棉紙、畫布｜80×80 cm

Lin Shih-Yung｜The God of Small Places-2｜2025｜acrylic paint, color pencil, cotton paper, canvas｜80×80 cm